Weaving at Black Mountain College: Anni Albers, Trude Guermonprez, and Their Students
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Weaving at Black Mountain College: Anni Albers, Trude Guermonprez, and Their Students

Weaving at Black Mountain College: Anni Albers, Trude Guermonprez, and Their Students

A detailed study of the role and legacy of weaving at the legendary Black Mountain College.

By Michael Beggs and Julie J. Thomson, with contributions by Brenda Danilowitz, Erica Warren, and Jennifer Nieling.

In the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school's most sophisticated and successful design program. About ten percent of all Black Mountain College students took at least one class in weaving, including specialists like textile designers Lore Kadden Lindenfeld and Else Regensteiner, as well as students from other disciplines, like artists Ray Johnson and Robert Rauschenberg and architects Don Page and Claude Stoller. Drawing upon a wealth of unpublished material and archival photographs, Weaving at Black Mountain College rewrites history to show how weaving played a much larger role in the legendary art and design curriculum than previously assumed.

The book illustrates dozens of objects from private and public collections, many of which have never been shown in this context. Essays explore connections and networks fostered by Black Mountain weavers; the ways in which weaving at the college was linked to larger discourses about weaving and craft; and Bauhaus influences transmitted by way of Anni Albers. The book also includes works by five contemporary artists that connect and respond to the legacy of weaving at Black Mountain College today.

Published in conjunction with the exhibition "Weaving at Black Mountain College: Anni Albers, Trude Guermonprez, and Their Students" held September 29, 2023–January 6, 2024 at Black Mountain College Museum + Arts Center (Asheville, NC).

Support for this exhibition and publication has been generously provided by the National Endowment for the Arts, Robert Lehman Foundation, and Furthermore: a program of the J. M. Kaplan Fund.

2023
Hardcover
184 pages
8.5 x 10.5 inches
125 color + 75 b/w illustrations
ISBN: 9780300273564

©  Black Mountain College Museum + Arts Center

$15.19

Original: $43.40

-65%
Weaving at Black Mountain College: Anni Albers, Trude Guermonprez, and Their Students

$43.40

$15.19

Weaving at Black Mountain College: Anni Albers, Trude Guermonprez, and Their Students

A detailed study of the role and legacy of weaving at the legendary Black Mountain College.

By Michael Beggs and Julie J. Thomson, with contributions by Brenda Danilowitz, Erica Warren, and Jennifer Nieling.

In the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school's most sophisticated and successful design program. About ten percent of all Black Mountain College students took at least one class in weaving, including specialists like textile designers Lore Kadden Lindenfeld and Else Regensteiner, as well as students from other disciplines, like artists Ray Johnson and Robert Rauschenberg and architects Don Page and Claude Stoller. Drawing upon a wealth of unpublished material and archival photographs, Weaving at Black Mountain College rewrites history to show how weaving played a much larger role in the legendary art and design curriculum than previously assumed.

The book illustrates dozens of objects from private and public collections, many of which have never been shown in this context. Essays explore connections and networks fostered by Black Mountain weavers; the ways in which weaving at the college was linked to larger discourses about weaving and craft; and Bauhaus influences transmitted by way of Anni Albers. The book also includes works by five contemporary artists that connect and respond to the legacy of weaving at Black Mountain College today.

Published in conjunction with the exhibition "Weaving at Black Mountain College: Anni Albers, Trude Guermonprez, and Their Students" held September 29, 2023–January 6, 2024 at Black Mountain College Museum + Arts Center (Asheville, NC).

Support for this exhibition and publication has been generously provided by the National Endowment for the Arts, Robert Lehman Foundation, and Furthermore: a program of the J. M. Kaplan Fund.

2023
Hardcover
184 pages
8.5 x 10.5 inches
125 color + 75 b/w illustrations
ISBN: 9780300273564

©  Black Mountain College Museum + Arts Center

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A detailed study of the role and legacy of weaving at the legendary Black Mountain College.

By Michael Beggs and Julie J. Thomson, with contributions by Brenda Danilowitz, Erica Warren, and Jennifer Nieling.

In the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school's most sophisticated and successful design program. About ten percent of all Black Mountain College students took at least one class in weaving, including specialists like textile designers Lore Kadden Lindenfeld and Else Regensteiner, as well as students from other disciplines, like artists Ray Johnson and Robert Rauschenberg and architects Don Page and Claude Stoller. Drawing upon a wealth of unpublished material and archival photographs, Weaving at Black Mountain College rewrites history to show how weaving played a much larger role in the legendary art and design curriculum than previously assumed.

The book illustrates dozens of objects from private and public collections, many of which have never been shown in this context. Essays explore connections and networks fostered by Black Mountain weavers; the ways in which weaving at the college was linked to larger discourses about weaving and craft; and Bauhaus influences transmitted by way of Anni Albers. The book also includes works by five contemporary artists that connect and respond to the legacy of weaving at Black Mountain College today.

Published in conjunction with the exhibition "Weaving at Black Mountain College: Anni Albers, Trude Guermonprez, and Their Students" held September 29, 2023–January 6, 2024 at Black Mountain College Museum + Arts Center (Asheville, NC).

Support for this exhibition and publication has been generously provided by the National Endowment for the Arts, Robert Lehman Foundation, and Furthermore: a program of the J. M. Kaplan Fund.

2023
Hardcover
184 pages
8.5 x 10.5 inches
125 color + 75 b/w illustrations
ISBN: 9780300273564

©  Black Mountain College Museum + Arts Center