Poppy Jones
Poppy Jones—the artist’s eponymous first monograph—spotlights ninety works made over the past four years, foregrounded by a conversation between Jones and Los Angeles-based artist Paul Sietsema.
At once time-specific and timeless, Jones’s intimate still lifes sit somewhere between painting and object, with haptic surfaces crisply contained in aluminium frames. These window-like works show domestic items from her rural East Sussex home, fading into the soft suedes and jewel-toned cottons and silks that constitute their supports. Each piece incorporates photography, lithography, and watercolour on found fabrics, including swatches from the artist’s own clothing.
Throughout her methodical process, she embraces fingerprint smudges and other such ‘mistakes’ which make their way onto the surfaces, and some of her larger works include a seam running down the centre, further evidencing the second-hand nature of the reused materials. Among these dimmed vignettes are sources of light: the glow of a reading lamp, the satin sheen of tulip petals, or the sunlight beaming from the blank pages of an open notebook revealing tender moments suffused with a quiet beauty.
Jones maintains an interest in the path by which art, design, and fashion enter the cultural canon, finding resonance in history as well as the everyday. Some works, for example, are printed on the same material as their depicted object, in a process which at once destroys the subject and offers it a new life. In her neatly contained constructions, Jones exposes the alchemy of objects, drawing out their liminal existences and potent evocations.
192 pages
245 × 295 mm
1,250 copies
English
ISBN: 979-8-9909113-0-7
© Zolo Press
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Poppy Jones
Poppy Jones—the artist’s eponymous first monograph—spotlights ninety works made over the past four years, foregrounded by a conversation between Jones and Los Angeles-based artist Paul Sietsema.
At once time-specific and timeless, Jones’s intimate still lifes sit somewhere between painting and object, with haptic surfaces crisply contained in aluminium frames. These window-like works show domestic items from her rural East Sussex home, fading into the soft suedes and jewel-toned cottons and silks that constitute their supports. Each piece incorporates photography, lithography, and watercolour on found fabrics, including swatches from the artist’s own clothing.
Throughout her methodical process, she embraces fingerprint smudges and other such ‘mistakes’ which make their way onto the surfaces, and some of her larger works include a seam running down the centre, further evidencing the second-hand nature of the reused materials. Among these dimmed vignettes are sources of light: the glow of a reading lamp, the satin sheen of tulip petals, or the sunlight beaming from the blank pages of an open notebook revealing tender moments suffused with a quiet beauty.
Jones maintains an interest in the path by which art, design, and fashion enter the cultural canon, finding resonance in history as well as the everyday. Some works, for example, are printed on the same material as their depicted object, in a process which at once destroys the subject and offers it a new life. In her neatly contained constructions, Jones exposes the alchemy of objects, drawing out their liminal existences and potent evocations.
192 pages
245 × 295 mm
1,250 copies
English
ISBN: 979-8-9909113-0-7
© Zolo Press
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Poppy Jones—the artist’s eponymous first monograph—spotlights ninety works made over the past four years, foregrounded by a conversation between Jones and Los Angeles-based artist Paul Sietsema.
At once time-specific and timeless, Jones’s intimate still lifes sit somewhere between painting and object, with haptic surfaces crisply contained in aluminium frames. These window-like works show domestic items from her rural East Sussex home, fading into the soft suedes and jewel-toned cottons and silks that constitute their supports. Each piece incorporates photography, lithography, and watercolour on found fabrics, including swatches from the artist’s own clothing.
Throughout her methodical process, she embraces fingerprint smudges and other such ‘mistakes’ which make their way onto the surfaces, and some of her larger works include a seam running down the centre, further evidencing the second-hand nature of the reused materials. Among these dimmed vignettes are sources of light: the glow of a reading lamp, the satin sheen of tulip petals, or the sunlight beaming from the blank pages of an open notebook revealing tender moments suffused with a quiet beauty.
Jones maintains an interest in the path by which art, design, and fashion enter the cultural canon, finding resonance in history as well as the everyday. Some works, for example, are printed on the same material as their depicted object, in a process which at once destroys the subject and offers it a new life. In her neatly contained constructions, Jones exposes the alchemy of objects, drawing out their liminal existences and potent evocations.
192 pages
245 × 295 mm
1,250 copies
English
ISBN: 979-8-9909113-0-7
© Zolo Press
